[1989] Born on the Fourth of July

Fearful and fearless are not opposites but complements. One cannot become fearless without first acknowledging that fear exists and that fear persists within the unknown. This is true for all humans, and probably most animals, and is the reason we learn and why the calmest among us continue to learn. But the fear never goes away. Knowledge helps us internalize it and experience help us externalize it. Ron Kovic, the man, shares his experience (with Oliver Stone’s help) in Born on the Fourth of July and crafts a powerful anti-war story that Ron Kovic, the character, shows us. We are supposed to relate to him. Kovic experienced these feelings in reverse. For so many, fear is the catalyst for progress.

Born on the Fourth of July is about gradual, perplexing human disillusionment. The wide-eyed boy the audience meets in the film’s first act is brash and brave, without any real reason for doing so, except for a blind faith in Country and in Institution. Halfway through, when Kovic begins to see things through the lens of war, where Country is a construct and Institution does not play proxy for stability. Still, Kovic plays the part well. Perhaps he still believes that Vietnam was his destiny or that he was right to play his part. Toward the film’s end, Kovic devolves into a version of himself and no longer has an interest in pretending to love Country or his role in it; it happens over a few years for Kovic and just a few hours for Stone’s audience.  Perhaps Kovic was afraid to admit defeat. More likely he was afraid to admit that he was wrong.