Against some odds, Spotlight took home Best Picture honors at the 88th Awards ceremony. Among the eight films nominated, Spotlight blended into the fold perhaps a little too cleanly and emerged victorious as, a manner of speaking, default. In a series of films marked by quasi-historical narrative (well, not Mad Max: Fury Road or The Martian), Spotlight dug its roots into what makes us feel uncomfortable the most and asked the audience to respond in kind most visceral. So: perhaps different from past winners, which all follow this idea of narrative gestalt to one of emotional response because Spotlight did not respond to anything in particular from the year; it did not wrap its gravitas around a suite of ideas that moved the nation. It worked, though, as a powerful inductive technique to bring a narrative into the public, well, spotlight, that had been simmering for many years. Does this abrupt shift signify a trend for the future?
The future should be somewhat obvious (and surely looking back will prove this sentence one hundred per cent incorrect) to those with a finger on the pulse of an increasingly globalized political miasma. And yet, with all the uncertainty encircling coming national and international events, 2016’s winner this year will not feel like a coup of sorts. As of yet, though, the uncertainty of what awaits is pervasive and head-scratching. Navigating the movies slated for a 2016 release (in mid-May), nothing quite stands out as reflective of insurgence, political defiance, or identity politics. Nothing seems to spin off-center or unsafe. We must be cautiously frivolous, then, when guessing aberration or trend for Spotlight. Either way, this conversation has shifted for the better and its win brings a fresh sense of thematic ignorance (bliss) and polishes the jade so deeply ingrained. Continue reading